Difference between revisions of "Entertainment/Gilbert and Sullivan"
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Librettist '''William Schwenck Gilbert''' (1836 – 1911) and composer '''Arthur Sullivan''' (1842 – 1900) collaborated on a series of fourteen comic operas in Victorian England between 1871 and 1896. Their works have become known as the Savoy Operas, after the Savoy Theatre in London, which was built in 1881 by their producer, Richard D'Oyly Carte, to present their operas. For over a century, until it closed in 1982, the D'Oyly Carte Opera Company performed the operas. Every summer, there is a three-week-long International Gilbert and Sullivan Festival in Buxton | Librettist '''William Schwenck Gilbert''' (1836 – 1911) and composer '''Arthur Sullivan''' (1842 – 1900) collaborated on a series of fourteen comic operas in Victorian England between 1871 and 1896. Their works have become known as the Savoy Operas, after the Savoy Theatre in London, which was built in 1881 by their producer, Richard D'Oyly Carte, to present their operas. For over a century, until it closed in 1982, the D'Oyly Carte Opera Company performed the operas. Every summer, there is a three-week-long International Gilbert and Sullivan Festival in Buxton | ||
| + | == Thespis == | ||
| + | Alternative title - The Gods Grown Old | ||
| − | + | Premiere - 1871 | |
| − | |||
The first Gilbert and Sullivan collaboration was ''Thespis'', produced at the large Gaiety Theatre, an extravaganza in which the gods of the classical world, who have become elderly and ineffective, are temporarily replaced by a troupe of actors and actresses. The piece mocked Offenbach's ''Orpheus in the Underworld'' and ''La Belle Hélène'', which (in translation) then dominated the English musical stage. ''Thespis'' opened at the Gaiety Theatre on Boxing Day in 1871 and ran for 63 performances | The first Gilbert and Sullivan collaboration was ''Thespis'', produced at the large Gaiety Theatre, an extravaganza in which the gods of the classical world, who have become elderly and ineffective, are temporarily replaced by a troupe of actors and actresses. The piece mocked Offenbach's ''Orpheus in the Underworld'' and ''La Belle Hélène'', which (in translation) then dominated the English musical stage. ''Thespis'' opened at the Gaiety Theatre on Boxing Day in 1871 and ran for 63 performances | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Jupiter | Jupiter | ||
| Line 24: | Line 24: | ||
Thespis, manager of a travelling theatrical company | Thespis, manager of a travelling theatrical company | ||
| − | + | == Trial by Jury == | |
| − | + | Premiere - 1875 | |
''Trial by Jury'' is the only Gilbert and Sullivan opera played in one act, and the only one with no spoken dialogue. As it is only about 30 minutes long, it is usually coupled with another work — often one of the shorter two-act Savoy Operas, such as ''The Sorcerer'' or ''H.M.S. Pinafore'', or presented as a triple bill with ''Cox and Box'' and ''The Zoo''. As with all the Gilbert and Sullivan operas, the plot of ''Trial'' is ludicrous, but by behaving as if everything were perfectly reasonable, the characters in this satire of the legal system (a favorite target of Gilbert's, who had a brief legal career) reveal truths about common foibles and follies of men, women and society at large | ''Trial by Jury'' is the only Gilbert and Sullivan opera played in one act, and the only one with no spoken dialogue. As it is only about 30 minutes long, it is usually coupled with another work — often one of the shorter two-act Savoy Operas, such as ''The Sorcerer'' or ''H.M.S. Pinafore'', or presented as a triple bill with ''Cox and Box'' and ''The Zoo''. As with all the Gilbert and Sullivan operas, the plot of ''Trial'' is ludicrous, but by behaving as if everything were perfectly reasonable, the characters in this satire of the legal system (a favorite target of Gilbert's, who had a brief legal career) reveal truths about common foibles and follies of men, women and society at large | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
The Learned Judge | The Learned Judge | ||
| Line 44: | Line 43: | ||
Foreman of the Jury | Foreman of the Jury | ||
| − | + | == The Sorcerer == | |
| − | + | Premiere - 1877 | |
Gilbert expanded on his own short story, ''The Elixir of Love'' and also used ideas from his earlier Bab Ballads, creating a plot about a magic love potion that – as often occurs in opera – causes everyone to fall in love with the wrong partner | Gilbert expanded on his own short story, ''The Elixir of Love'' and also used ideas from his earlier Bab Ballads, creating a plot about a magic love potion that – as often occurs in opera – causes everyone to fall in love with the wrong partner | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Sir Marmaduke Poindextre, an Elderly Baronet | Sir Marmaduke Poindextre, an Elderly Baronet | ||
| Line 62: | Line 60: | ||
Lady Sangazure, a Lady of Ancient Lineage | Lady Sangazure, a Lady of Ancient Lineage | ||
| + | == H.M.S. Pinafore == | ||
| + | Alternative title - The Lass That Loved a Sailor | ||
| − | + | Premiere - 1878 | |
The plot revolves around a middle-class naval captain's daughter who is in love with a lower-class foremast hand (a common sailor, well below officer rank), even though she is betrothed to the upper-class First Lord of the Admiralty, the government official in charge of the Royal Navy | The plot revolves around a middle-class naval captain's daughter who is in love with a lower-class foremast hand (a common sailor, well below officer rank), even though she is betrothed to the upper-class First Lord of the Admiralty, the government official in charge of the Royal Navy | ||
| Line 69: | Line 69: | ||
Mrs Cripps is known as Little Buttercup in ''H.M.S. Pinafore'' | Mrs Cripps is known as Little Buttercup in ''H.M.S. Pinafore'' | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
The Rt. Hon. Sir Joseph Porter, KCB, First Lord of the Admiralty | The Rt. Hon. Sir Joseph Porter, KCB, First Lord of the Admiralty | ||
| Line 80: | Line 79: | ||
Dick Deadeye, Able Seaman | Dick Deadeye, Able Seaman | ||
| + | == The Pirates of Penzanze == | ||
| + | Alternative title - The Slave of Duty | ||
| − | + | Premiere - 1879 | |
The work's title is a multi-layered joke. On the one hand, Penzance was a docile seaside resort at the time, and not the place where one would expect to encounter pirates. On the other hand, the title was also a jab at the theatrical pirates who had staged unlicensed productions of ''H.M.S. Pinafore'' in America. ''The Pirates of Penzance'' was the only Gilbert and Sullivan opera to have its official premiere in New York, although the world premiere in was Paignton | The work's title is a multi-layered joke. On the one hand, Penzance was a docile seaside resort at the time, and not the place where one would expect to encounter pirates. On the other hand, the title was also a jab at the theatrical pirates who had staged unlicensed productions of ''H.M.S. Pinafore'' in America. ''The Pirates of Penzance'' was the only Gilbert and Sullivan opera to have its official premiere in New York, although the world premiere in was Paignton | ||
| Line 89: | Line 90: | ||
''I am the Very Model of a Modern Major-General'' – from ''The Pirates of Penzance'' | ''I am the Very Model of a Modern Major-General'' – from ''The Pirates of Penzance'' | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Major-General Stanley | Major-General Stanley | ||
| Line 100: | Line 100: | ||
Frederic, the Pirate Apprentice | Frederic, the Pirate Apprentice | ||
| + | == Patience == | ||
| + | Alternative title - Bunthorne's Bride | ||
| − | + | Premiere - 1881 | |
The opera is a satire on the aesthetic movement of the 1870s and '80s in England. This artistic movement was so popular, and also so easy to ridicule as a meaningless fad, that it made ''Patience'' a big hit. A popular myth holds that the central character, Bunthorne, a ‘Fleshly Poet’, was intended to satirize Oscar Wilde | The opera is a satire on the aesthetic movement of the 1870s and '80s in England. This artistic movement was so popular, and also so easy to ridicule as a meaningless fad, that it made ''Patience'' a big hit. A popular myth holds that the central character, Bunthorne, a ‘Fleshly Poet’, was intended to satirize Oscar Wilde | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Colonel Calverly, Officer of Dragoon Guards | Colonel Calverly, Officer of Dragoon Guards | ||
| Line 118: | Line 119: | ||
Archibald Grosvenor, an Idyllic Poet | Archibald Grosvenor, an Idyllic Poet | ||
| + | == Iolanthe == | ||
| + | Alternative title - The Peer and the Peri | ||
| − | + | Premiere - 1882 | |
| − | The Savoy Theatre was the first theatre in the world to be wired for electricity, and such stunning special effects as sparkling fairy wands were possible. Captain (later Sir) Eyre Massey Shaw, to whom the Fairy Queen refers in the second act, was head of the Metropolitan Fire Brigade. He was present at the first night of ''Iolanthe'', and the words were directed at him by Alice Barnett as the Fairy Queen. Much of Sullivan's ‘fairy’ music pays deliberate homage to the incidental music written by Felix Mendelssohn for a production of Shakespeare's ''A Midsummer Night's Dream''. Iolanthe | + | The Savoy Theatre was the first theatre in the world to be wired for electricity, and such stunning special effects as sparkling fairy wands were possible. Captain (later Sir) Eyre Massey Shaw, to whom the Fairy Queen refers in the second act, was head of the Metropolitan Fire Brigade. He was present at the first night of ''Iolanthe'', and the words were directed at him by Alice Barnett as the Fairy Queen. Much of Sullivan's ‘fairy’ music pays deliberate homage to the incidental music written by Felix Mendelssohn for a production of Shakespeare's ''A Midsummer Night's Dream''. Iolanthe is banished to the bottom of a stream for marrying a mortal |
| − | + | <u>Characters</u> | |
| − | Characters | ||
The Lord Chancellor | The Lord Chancellor | ||
| Line 140: | Line 142: | ||
Iolanthe, a Fairy, Strephon's mother | Iolanthe, a Fairy, Strephon's mother | ||
| + | == Princess Ida == | ||
| + | Alternative title - Castle Adamant | ||
| − | + | Premiere - 1884 | |
| − | |||
| − | |||
| + | ''Princess Ida'' is based on Tennyson's poem ''The Princess'' and is the only Gilbert and Sullivan work with dialogue entirely in blank verse. It is also the only one of their works in three acts. The opera satirizes feminism, women's education, and Darwinian evolution. It is partly set in a women-only university | ||
| − | Characters | + | <u>Characters</u> |
King Hildebrand | King Hildebrand | ||
| Line 158: | Line 161: | ||
King Gama | King Gama | ||
| + | == The Mikado == | ||
| + | Alternative title - The Town of Titipu | ||
| − | + | Premiere - 1885 | |
''The Mikado'' is a comedy that deals with themes of death and cruelty. To the extent that the opera is inspired by, and purports to portray, Japanese culture, style, and government, it draws on Victorian notions of the subject, gleaned from the general British fascination with Japanese fashion and art | ''The Mikado'' is a comedy that deals with themes of death and cruelty. To the extent that the opera is inspired by, and purports to portray, Japanese culture, style, and government, it draws on Victorian notions of the subject, gleaned from the general British fascination with Japanese fashion and art | ||
| Line 173: | Line 178: | ||
“I’ve got a little list” – phrase in ''The Mikado'' | “I’ve got a little list” – phrase in ''The Mikado'' | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
The Mikado of Japan | The Mikado of Japan | ||
| Line 188: | Line 192: | ||
Yum-Yum, Pitti-Sing, and Peep-Bo, three Sisters, Wards of Ko-Ko | Yum-Yum, Pitti-Sing, and Peep-Bo, three Sisters, Wards of Ko-Ko | ||
| + | == Ruddigore == | ||
| + | Alternative title - The Witch's Curse | ||
| − | + | Premiere - 1887 | |
The Baronets of the castle of Ruddigore have been cursed by a witch. Each Baronet, in his turn, must commit a crime a day – or die in torture. To escape his dreadful fate, the latest Baronet, Sir Ruthven Murgatroyd, disguises himself as Robin Oakapple, a farmer. Only two people know his true identity – his faithful servant, Old Adam Goodheart, and his adopted brother, Richard Dauntless, a seaman. Robin Oakapple is in love with the beautiful Rose Maybud and wants to marry her - but his future plans appear doomed when his true identity is revealed | The Baronets of the castle of Ruddigore have been cursed by a witch. Each Baronet, in his turn, must commit a crime a day – or die in torture. To escape his dreadful fate, the latest Baronet, Sir Ruthven Murgatroyd, disguises himself as Robin Oakapple, a farmer. Only two people know his true identity – his faithful servant, Old Adam Goodheart, and his adopted brother, Richard Dauntless, a seaman. Robin Oakapple is in love with the beautiful Rose Maybud and wants to marry her - but his future plans appear doomed when his true identity is revealed | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Sir Ruthven Murgatroyd disguised as Robin Oakapple, a Young Farmer | Sir Ruthven Murgatroyd disguised as Robin Oakapple, a Young Farmer | ||
| Line 206: | Line 211: | ||
Rose Maybud, a Village Maiden | Rose Maybud, a Village Maiden | ||
| + | == The Yeomen of the Guard == | ||
| + | Alternative title - The Merryman and his Maid | ||
| − | + | Premiere - 1888 | |
The opera is set in the Tower of London, during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages | The opera is set in the Tower of London, during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
Sir Richard Cholmondeley, Lieutenant of the Tower | Sir Richard Cholmondeley, Lieutenant of the Tower | ||
| Line 222: | Line 228: | ||
Jack Point, a jester | Jack Point, a jester | ||
| + | == The Gondoliers == | ||
| + | Alternative title - The King of Barataria | ||
| − | + | Premiere - 1889 | |
Gilbert returns to the satire of class distinctions figuring in many of his earlier librettos. The libretto also reflects Gilbert's fascination with the ‘Stock Company Act’, highlighting the absurd convergence of natural persons and legal entities | Gilbert returns to the satire of class distinctions figuring in many of his earlier librettos. The libretto also reflects Gilbert's fascination with the ‘Stock Company Act’, highlighting the absurd convergence of natural persons and legal entities | ||
| − | + | <u>Characters</u> | |
| − | Characters | ||
The Duke of Plaza-Toro, a Grandee of Spain | The Duke of Plaza-Toro, a Grandee of Spain | ||
| Line 240: | Line 247: | ||
Giuseppe Palmieri, Venetian Gondolier | Giuseppe Palmieri, Venetian Gondolier | ||
| + | == Utopia, Limited == | ||
| + | Alternative title - The Flowers of Progress | ||
| − | + | Premiere - 1893 | |
| − | |||
| − | |||
| − | |||
| − | ' | + | Gilbert's libretto satirizes limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability to its owners. It did not achieve the success of most of the earlier comic operas |
| − | + | == The Grand Duke == | |
| + | Alternative title - The Statutory Duel | ||
| + | Premiere - 1896 | ||
| + | Gilbert and Sullivan come full circle, back to the theme of their first collaboration, Thespis: a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100 year-old law regarding statutory duels (decided by drawing cards). The baffled central character, Ludwig, becomes engaged to four different women before the plot is resolved. It had a short run and was a financial failure | ||
| − | The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings | + | == Other works by Gilbert and Sullivan == |
| + | The ''Bab Ballads'' are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings | ||
WS Gilbert’s last libretto – ''Fallen Fairies'', by Edward Germany, in 1909 | WS Gilbert’s last libretto – ''Fallen Fairies'', by Edward Germany, in 1909 | ||
| Line 260: | Line 270: | ||
''The Zoo'' is a one-act comic opera, with music by Arthur Sullivan and a libretto by B. C. Stephenson, writing under the pen name of Bolton Rowe | ''The Zoo'' is a one-act comic opera, with music by Arthur Sullivan and a libretto by B. C. Stephenson, writing under the pen name of Bolton Rowe | ||
| − | ''Pineapple Poll'' is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko with arranger Sir Charles Mackerras. ''Pineapple Poll'' is based on The ''Bumboat Woman's Story'', one of W. S. Gilbert's Bab Ballads, written in 1870. ''H.M.S. Pinafore'' was also based, in part, on this story | + | ''Pineapple Poll'' is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko with arranger Sir Charles Mackerras. ''Pineapple Poll'' is based on The ''Bumboat Woman's Story'', one of W. S. Gilbert's ''Bab Ballads'', written in 1870. ''H.M.S. Pinafore'' was also based, in part, on this story |
''Ivanhoe'' – Arthur Sullivan’s only grand opera | ''Ivanhoe'' – Arthur Sullivan’s only grand opera | ||
| − | Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include ''Onward Christian Soldiers'' and ''The Lost Chord'' | + | Arthur Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include ''Onward Christian Soldiers'' and ''The Lost Chord'' |
''Irish Symphony'' – Arthur Sullivan | ''Irish Symphony'' – Arthur Sullivan | ||
''The Golden Legend'' is a cantata by Arthur Sullivan based on the 1851 poem of the same name by Henry Wadsworth Longfellow | ''The Golden Legend'' is a cantata by Arthur Sullivan based on the 1851 poem of the same name by Henry Wadsworth Longfellow | ||
Latest revision as of 14:10, 18 May 2021
Librettist William Schwenck Gilbert (1836 – 1911) and composer Arthur Sullivan (1842 – 1900) collaborated on a series of fourteen comic operas in Victorian England between 1871 and 1896. Their works have become known as the Savoy Operas, after the Savoy Theatre in London, which was built in 1881 by their producer, Richard D'Oyly Carte, to present their operas. For over a century, until it closed in 1982, the D'Oyly Carte Opera Company performed the operas. Every summer, there is a three-week-long International Gilbert and Sullivan Festival in Buxton
Thespis
Alternative title - The Gods Grown Old
Premiere - 1871
The first Gilbert and Sullivan collaboration was Thespis, produced at the large Gaiety Theatre, an extravaganza in which the gods of the classical world, who have become elderly and ineffective, are temporarily replaced by a troupe of actors and actresses. The piece mocked Offenbach's Orpheus in the Underworld and La Belle Hélène, which (in translation) then dominated the English musical stage. Thespis opened at the Gaiety Theatre on Boxing Day in 1871 and ran for 63 performances
Characters
Jupiter
Apollo
Mars
Diana
Venus
Mercury
Thespis, manager of a travelling theatrical company
Trial by Jury
Premiere - 1875
Trial by Jury is the only Gilbert and Sullivan opera played in one act, and the only one with no spoken dialogue. As it is only about 30 minutes long, it is usually coupled with another work — often one of the shorter two-act Savoy Operas, such as The Sorcerer or H.M.S. Pinafore, or presented as a triple bill with Cox and Box and The Zoo. As with all the Gilbert and Sullivan operas, the plot of Trial is ludicrous, but by behaving as if everything were perfectly reasonable, the characters in this satire of the legal system (a favorite target of Gilbert's, who had a brief legal career) reveal truths about common foibles and follies of men, women and society at large
Characters
The Learned Judge
The Plaintiff
The Defendant
Counsel for the Plaintiff
Usher
Foreman of the Jury
The Sorcerer
Premiere - 1877
Gilbert expanded on his own short story, The Elixir of Love and also used ideas from his earlier Bab Ballads, creating a plot about a magic love potion that – as often occurs in opera – causes everyone to fall in love with the wrong partner
Characters
Sir Marmaduke Poindextre, an Elderly Baronet
Alexis, of the Grenadier Guards, his son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J.W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
H.M.S. Pinafore
Alternative title - The Lass That Loved a Sailor
Premiere - 1878
The plot revolves around a middle-class naval captain's daughter who is in love with a lower-class foremast hand (a common sailor, well below officer rank), even though she is betrothed to the upper-class First Lord of the Admiralty, the government official in charge of the Royal Navy
Mrs Cripps is known as Little Buttercup in H.M.S. Pinafore
Characters
The Rt. Hon. Sir Joseph Porter, KCB, First Lord of the Admiralty
Captain Corcoran, Commander of the H.M.S. Pinafore
Ralph Rackstraw, Able Seaman
Dick Deadeye, Able Seaman
The Pirates of Penzanze
Alternative title - The Slave of Duty
Premiere - 1879
The work's title is a multi-layered joke. On the one hand, Penzance was a docile seaside resort at the time, and not the place where one would expect to encounter pirates. On the other hand, the title was also a jab at the theatrical pirates who had staged unlicensed productions of H.M.S. Pinafore in America. The Pirates of Penzance was the only Gilbert and Sullivan opera to have its official premiere in New York, although the world premiere in was Paignton
A Policeman’s Lot is not a Happy one – from The Pirates of Penzance
I am the Very Model of a Modern Major-General – from The Pirates of Penzance
Characters
Major-General Stanley
The Pirate King
Samuel, his Lieutenant
Frederic, the Pirate Apprentice
Patience
Alternative title - Bunthorne's Bride
Premiere - 1881
The opera is a satire on the aesthetic movement of the 1870s and '80s in England. This artistic movement was so popular, and also so easy to ridicule as a meaningless fad, that it made Patience a big hit. A popular myth holds that the central character, Bunthorne, a ‘Fleshly Poet’, was intended to satirize Oscar Wilde
Characters
Colonel Calverly, Officer of Dragoon Guards
Major Murgatroyd, Officer of Dragoon Guards
Lieut. The Duke of Dunstable, Officer of Dragoon Guards
Reginald Bunthorne, a Fleshly Poet
Archibald Grosvenor, an Idyllic Poet
Iolanthe
Alternative title - The Peer and the Peri
Premiere - 1882
The Savoy Theatre was the first theatre in the world to be wired for electricity, and such stunning special effects as sparkling fairy wands were possible. Captain (later Sir) Eyre Massey Shaw, to whom the Fairy Queen refers in the second act, was head of the Metropolitan Fire Brigade. He was present at the first night of Iolanthe, and the words were directed at him by Alice Barnett as the Fairy Queen. Much of Sullivan's ‘fairy’ music pays deliberate homage to the incidental music written by Felix Mendelssohn for a production of Shakespeare's A Midsummer Night's Dream. Iolanthe is banished to the bottom of a stream for marrying a mortal
Characters
The Lord Chancellor
Earl of Mountararat
Earl Tolloller
Private Willis, of the Grenadier Guards
Strephon, an Arcadian Shepherd
Queen of the Fairies
Iolanthe, a Fairy, Strephon's mother
Princess Ida
Alternative title - Castle Adamant
Premiere - 1884
Princess Ida is based on Tennyson's poem The Princess and is the only Gilbert and Sullivan work with dialogue entirely in blank verse. It is also the only one of their works in three acts. The opera satirizes feminism, women's education, and Darwinian evolution. It is partly set in a women-only university
Characters
King Hildebrand
Hilarion, King Hildebrand's Son
Cyril, Hilarion's Friend
Florian, Hilarion's Friend
King Gama
The Mikado
Alternative title - The Town of Titipu
Premiere - 1885
The Mikado is a comedy that deals with themes of death and cruelty. To the extent that the opera is inspired by, and purports to portray, Japanese culture, style, and government, it draws on Victorian notions of the subject, gleaned from the general British fascination with Japanese fashion and art
Three Little Maids from School are we – from The Mikado
A Wandering Minstrel I – from The Mikado
On a tree by a river ("Willow, tit-willow") – from The Mikado
“Short sharp shock” – phrase in The Mikado
“I’ve got a little list” – phrase in The Mikado
Characters
The Mikado of Japan
Nanki-Poo, his Son, disguised as a wandering minstrel, and in love with Yum-Yum
Ko-Ko, the Lord High Executioner of Titipu
Pooh-Bah, Lord High Everything Else
Pish-Tush, a Noble Lord
Yum-Yum, Pitti-Sing, and Peep-Bo, three Sisters, Wards of Ko-Ko
Ruddigore
Alternative title - The Witch's Curse
Premiere - 1887
The Baronets of the castle of Ruddigore have been cursed by a witch. Each Baronet, in his turn, must commit a crime a day – or die in torture. To escape his dreadful fate, the latest Baronet, Sir Ruthven Murgatroyd, disguises himself as Robin Oakapple, a farmer. Only two people know his true identity – his faithful servant, Old Adam Goodheart, and his adopted brother, Richard Dauntless, a seaman. Robin Oakapple is in love with the beautiful Rose Maybud and wants to marry her - but his future plans appear doomed when his true identity is revealed
Characters
Sir Ruthven Murgatroyd disguised as Robin Oakapple, a Young Farmer
Richard Dauntless his Foster-Brother, a Man-o'-war's-man
Sir Despard Murgatroyd of Ruddigore, a Wicked Baronet
Old Adam Goodheart, Robin's Faithful Servant
Rose Maybud, a Village Maiden
The Yeomen of the Guard
Alternative title - The Merryman and his Maid
Premiere - 1888
The opera is set in the Tower of London, during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages
Characters
Sir Richard Cholmondeley, Lieutenant of the Tower
Colonel Fairfax, under sentence of death
Sergeant Meryll of the Yeomen of the Guard
Jack Point, a jester
The Gondoliers
Alternative title - The King of Barataria
Premiere - 1889
Gilbert returns to the satire of class distinctions figuring in many of his earlier librettos. The libretto also reflects Gilbert's fascination with the ‘Stock Company Act’, highlighting the absurd convergence of natural persons and legal entities
Characters
The Duke of Plaza-Toro, a Grandee of Spain
Luiz, his Attendant
Don Alhambra del Bolero, the Grand Inquisitor
Marco Palmieri, Venetian Gondolier
Giuseppe Palmieri, Venetian Gondolier
Utopia, Limited
Alternative title - The Flowers of Progress
Premiere - 1893
Gilbert's libretto satirizes limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability to its owners. It did not achieve the success of most of the earlier comic operas
The Grand Duke
Alternative title - The Statutory Duel
Premiere - 1896
Gilbert and Sullivan come full circle, back to the theme of their first collaboration, Thespis: a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100 year-old law regarding statutory duels (decided by drawing cards). The baffled central character, Ludwig, becomes engaged to four different women before the plot is resolved. It had a short run and was a financial failure
Other works by Gilbert and Sullivan
The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings
WS Gilbert’s last libretto – Fallen Fairies, by Edward Germany, in 1909
Cox and Box – a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan
The Zoo is a one-act comic opera, with music by Arthur Sullivan and a libretto by B. C. Stephenson, writing under the pen name of Bolton Rowe
Pineapple Poll is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko with arranger Sir Charles Mackerras. Pineapple Poll is based on The Bumboat Woman's Story, one of W. S. Gilbert's Bab Ballads, written in 1870. H.M.S. Pinafore was also based, in part, on this story
Ivanhoe – Arthur Sullivan’s only grand opera
Arthur Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include Onward Christian Soldiers and The Lost Chord
Irish Symphony – Arthur Sullivan
The Golden Legend is a cantata by Arthur Sullivan based on the 1851 poem of the same name by Henry Wadsworth Longfellow
